2018 is progressing much like we expected it would, discomfort at our world but also the realization that from great distress often comes great art. To that end we are pleased (as punch) at the great quality of films submitted for this years Festival (November 3rd – bookmark it today!). But we need more and I thought I’d take this opportunity to share some of those reasons.
In a world where the modalities for the sharing of artistic vision would seem to be unlimited it is curious to me that this reality, paradoxically, seems to work against the interests of many artists. The challenge isn’t getting it out there, the challenge is getting it seen. Festivals like OCanFilmFest are not a new thing but still play an important role in getting films seen by those interested in doing so. That connective tissue is what is missing whenever an artist throws their work out into the void – huge potential audience but who sees the throw?
OCanFilmFest represents a great opportunity for Ottawa Filmmakers to get their films seen. As a fledging filmmaker myself I can’t begin to tell you how important that is. Everyone wants to be liked (we’re human) but more importantly we want to be thought about, we want ideas, impressions – anything that gives us a perspective on the art we make. Festivals are the still the best way to do that in a fun and supportive environment that respects the audience and the artist equally.
So submit your work, take a chance, take a shot. Not everything will make it but to quote the noted philosopher Wayne Gretzky ” You miss 100% of the shots you don’t take”, take yours and we will see you in November!
“A poetic study of familial relationships straining and strengthening under the pressure of serious illness.” – Nikki Baughan, Screen International
A mother struggles to take control of her life in the face of advanced Parkinson’s disease, while her son battles his sexual and emotional identity amongst the violence of Alberta’s oil field work camps in director Kathleen Hepburn‘s feature film Never Steady, Never Still.
Shot in Ford St. James, British Columbia, the film was nominated for 8 Canadian Screen Awards. Catch the film at the Bytown Cinema in Ottawa this weekend.
“When their dying father makes a sudden change to his will, two half-brothers from different worlds – one a Hong Kong labourer, the other a Vancouver businessman – must decide what they value most – money or family.” That’s the synopsis of Ottawa filmmaker Ben Hoskyn‘s first feature film 8 Minutes Ahead.
Directed by Hoskyn, the film stars Raugi Yu(DaVinci’s Inquest), Chang Tseng(Romeo Must Die), Brian Burrel, Theresa Wong(Supernatural), Benedict Wong and Jane Wong.
8 Minutes Ahead was produced by Nate Estabrooks & Ben Hoskyn based on a script by Allan Mackey, Nate Estabrooks & Nick Dolinski.
Vancouver writer/director Mina Shum‘s 1994 first feature Double Happiness was a breakout hit and winner of the Best Canadian Feature film at TIFF. It was featured on a recent episode of CBC Televisions The Filmmakers series.
Her new film Meditation Park is a bittersweet comedy about a devoted Chinese-Canadian wife and mother in East Vancouver whose life and family are forever altered after she discovers an orange thong in her husband’s pocket, forcing her on a journey of truth and liberation.
The film stars Pei-Pei Cheng who has had an incredible career in China as a martial artist and actor most recognized in North American from her role in the critically-claimed Crouching Tiger, Hiden Dragon. Rounding out the cast are Tzi Ma, Don McKellar and Sandra Oh. The film premiered at the Toronto International Film Festival in 2017 and opens in theatres on March 9, 2018.
For years independently owned and operated theaters have become a rare thing. Growing up there were plenty of neighborhood-based theaters that ran a variety of Hollywood, independent or really any films that would fill the seats. I have happy memories of Sergio Leone shoot-fests, foreign films etc. at the Capital on Rideau, the original Bytowne, the Mayfair etc. So most of those theaters are still here and doing a great job in delivering films where spandex is not the prevailing fashion sense.
What’s changed is just how important this role has become in our current situation where while. We have plenty ways to deliver content across a variety of platforms and modalities, the actual ‘movie going’ experience has become less available as major chains focus on algorithm-based content that reduce choice and availability. To which I don’t fault them for doing so, its a business after all and the fact that any chains thrive at all in the Netflix universe is magic to me anyways.
Independents give you the choices you wont find in chains but also give you the experience of a theater which, for me, is a big part of the deal. Independents provide the opportunity for a new artist to see their work on the big screen, for festivals to reach out to their audiences as well as specialized programming to meet other needs. By extending choice independently owned theaters extend the experience of movie goers and for that they should be treasured.