“Selvi, like so many girls living within India’s patriarchal culture, is forced to marry at a young age, only to find herself in a violent and abusive marriage. One day in deep despair, she chooses to escape, going to a highway with the intention of throwing herself under the wheels of a bus. Instead she gets on the bus, choosing to live. She goes on to become South India’s first female taxi driver.
Elisa Paloschi is a documentary director, producer, cinematographer and photographer who is drawn to stories with a human voice. She runs Eyesfull, a Toronto- based independent production company dedicated to making non-fiction documentaries with social relevance that reflect the diversity of the human condition.” — Official website for the film
Paloschi grew up in Kingston and encountered 18-year old Selvi while on travel during her volunteer work at an NGO called Odanadi, which runs a shelter for girls and women who have suffered gender based violence in South India. Continue reading “Diving with Selvi”
Newfoundland director Stephen Dunn‘s feature film debut Closet Monster, starring Connor Jessup, tells the story of a teenage boy desperate to escape his dysfunctional family and get a job developing special effects for movies. The film premiered at the Toronto International Film Festival in 2015 where it won the award for Best Canadian Feature Film.
Dunn is an award-winning filmmaker and graduate of Norman Jewison’s Canadian Film Centre and Ryerson University’s Film Program. I had a chance to meet him in Halifax when our films were competing in CBC’s Short Film Face-off in 2013. His film Life Doesn’t Frighten Me, starring Gordon Pinsent, won the competition.
Dunn was the youngest filmmaker ever selected for the TIFF Talent Lab where he won two TIFF RBC International Emerging Filmmaker awards for his film, Swallowed. He attended the Cannes Film Festival – Short Film Corner in 2009 with his film, The Hall, where film critic Roger Ebert highlighted Dunn as an upcoming filmmaker to watch.
Closet Monster is now available to stream on YouTube.
For me the appeal of Independent Film is the same appeal of Triple-A baseball or the OHL – you get to see potential million dollar players on their way up or on their way down. Either way its a privilege to see the talent, creativity and ability to do more with less that characterize independent artists.
Its fashionable to knock Hollywood as being a non-creative money machine and certainly that’s true in many cases. What’s interesting to me about big studio films is when filmmakers manage slip some art through to us anyways despite the bottom-line obsession. Conversely independent films have the reputation as the sanctuary of the artist, unconcerned about revenue as much as recognition and respect. Well that’s not true either. Every artist knows they have to sell their current projects if they ever want to make another or step up to a studio some day. Consequently there is repetition, familiar themes etc. that are drive by realities of the market. Continue reading “Why Independent Films?”
Toronto filmmaker Robin Joseph‘s self-financed Fox and the Whale is among 10 short animated films that have advanced in the voting process for the 90th Academy Awards.
Directed and produced by Joseph, the film features character animation by Kim Leow, character rig (fox) by Louis Vottero and music by John Poon. In addition to producing and directing Joseph was responsible for storyboards, backgrounds, 2D animation, VFX, comps, editing, foley & sound design.
Here’s the film.
The 5 final nominees for the best animated short film Oscar will be revealed on January 23, 2018. The 90th Oscars will be held on March 4th. Congratulations and good luck, Robin and team!
A Better Man is a documentary which follows the story of Canadian filmmaker Attiya Khan, a survivor of domestic abuse, as she invites her abuser to discuss the events in their lives from over 20 years ago. They confront and contrast their memories as they visit their old apartment, school and other places where key events in their past took place.
Co-directed by Khan and Lawrence Jackman the film was an official selection at Hot Docs 2017 and was presented with a panel discussion hosted by the One World Film Festival at Ottawa U on December 2nd. If you missed the screening or would like to see the film again, it is now streaming at tvo.org.